צילמתי סרטון אחד של שבע שניות. מהסרטון הזה קיבלתי חמש זוויות מצלמה שלא צולמו אף פעם. אותו אדם, אותה תנועה, אותה תאורה, אותו מקום. רק המצלמה זזה.
כאן יש את הפרומפט המדויק של הסרטון המקורי, את הפרומפט שמייצר זווית חדשה, ואת חמשת הסרטונים שיצאו ממנו. כל פרומפט אפשר להעתיק כמו שהוא.
הסרטון המקורי
התחלתי מתמונת זהות אחת שלי ומפרומפט אחד. איך מכינים אותה נכון יש במדריך נפרד, וזה הבסיס לכל סרטון עם אדם אמיתי. המודל הוא Seedance 2.5 במצב Omni reference, יחס 16:9, שבע שניות, עם סאונד.
7 seconds, 16:9, one continuous shot, no cuts. Use @Image1 as the exact same man: keep his face, curly dark hair, beard, freckles, hoop earrings, silver chain, rings, black denim jacket open over a white tank top, black cargo pants. Night, top floor of an empty concrete parking garage in the rain, wet floor mirroring one sodium-orange ceiling light behind him and a cold blue city glow from the open side. He stands centre frame, chest-up, and raps a hard verse straight into the lens: sharp hand gestures, head bob on the beat, breath visible in the cold, water dripping from the concrete edge. Camera: medium shot at eye level, 35 mm anamorphic, very slow push-in with subtle handheld drift, shallow focus on his face, rain drops catching the light between camera and subject. Visual direction: dark moody Eastern-European rap video, deep blacks, teal-and-amber grade, thin haze, film grain, 24 fps motion blur, high contrast, cinematic realism. Timing: 00–02s he lifts his head into the light and locks eyes; 02–06s the verse peaks, gestures get bigger; 06–07s he exhales and holds the stare. Audio: rain on concrete, distant city hum, his voice rapping low and dry, no music. Preserve identity, wardrobe, lamp position, and colour throughout. Avoid cuts, camera spins, extra people, cars driving, text, subtitles, face drift, warped hands.
01 · MASTER · 7sזה הסרטון שכל השאר נבנה ממנו. שימו לב לפנס הכתום מאחורי הראש ולרצפה הרטובה, הם יחזרו בכל זווית.
הפרומפט שמייצר זווית
לכל זווית שלחתי שלושה רפרנסים: את הסרטון המקורי, את תמונת הזהות, ואת האודיו של הסרטון המקורי. הפרומפט זהה בכל פעם. משתנה בו רק המשפט שמתחיל במילה Camera.
7 seconds, 16:9, one continuous shot, no cuts. This is the SAME take as @Video1, recorded at the same moment by a second camera placed in a completely different position. Everything that happens in @Video1 happens here identically and at the identical time: the same man, the same performance, the same lip movements, the same hand gestures on the same beats, the same head bob, the same lift of the head into the light at the start and the same exhale and stare at the end. Same rooftop parking garage, same rain, same single sodium-orange ceiling lamp in the same place, same teal wet-floor reflections, same colour grade. Nothing changes except the camera. @Image1 defines only his face, curly dark hair, beard, hoop earrings, silver chain, black denim jacket over a white tank top, rings. @Audio1 is the exact soundtrack of this take: keep it identical — same rain, same voice, same beat, same timing. Camera: {CAMERA} Visual direction: moody Netflix prestige-drama cinematography, ARRI Alexa look, desaturated teal-and-amber grade, crushed blacks, soft halation on the lamp, thin haze, fine film grain, 24 fps motion blur, photoreal. Preserve identity, wardrobe, performance timing, lamp position, colour and sound. Avoid re-timing or changing the performance, different gestures, cuts, the eye-level medium framing of @Video1, extra people, cars, text, subtitles, face drift, warped hands.שני דברים שקובעים אם זה עובד. משפט המצלמה צריך להיות ספציפי, עם עדשה, מרחק וגובה. ואסור להשתמש בו במילים של המצלמה המקורית, כמו push-in או eye level, כי המודל נמשך חזרה לפריים שהוא מכיר.
חמש הזוויות
7 seconds, 16:9, one continuous shot, no cuts. This is the SAME take as @Video1, recorded at the same moment by a second camera placed in a completely different position. Everything that happens in @Video1 happens here identically and at the identical time: the same man, the same performance, the same lip movements, the same hand gestures on the same beats, the same head bob, the same lift of the head into the light at the start and the same exhale and stare at the end. Same rooftop parking garage, same rain, same single sodium-orange ceiling lamp in the same place, same teal wet-floor reflections, same colour grade. Nothing changes except the camera. @Image1 defines only his face, curly dark hair, beard, hoop earrings, silver chain, black denim jacket over a white tank top, rings. @Audio1 is the exact soundtrack of this take: keep it identical — same rain, same voice, same beat, same timing. Camera: extreme close-up, macro 100 mm lens, only his eyes, nose and mouth fill the frame, rain drops rolling over his skin and beard, breath fogging in the cold, the orange lamp a soft flare at the top of frame, razor-thin focus on the eyes, almost static camera with a tiny drift. Visual direction: moody Netflix prestige-drama cinematography, ARRI Alexa look, desaturated teal-and-amber grade, crushed blacks, soft halation on the lamp, thin haze, fine film grain, 24 fps motion blur, photoreal. Preserve identity, wardrobe, performance timing, lamp position, colour and sound. Avoid re-timing or changing the performance, different gestures, cuts, the eye-level medium framing of @Video1, extra people, cars, text, subtitles, face drift, warped hands.
02 · EXTREME CLOSE-UP · 7sקלוז־אפ קיצוני. אותן טיפות גשם, אותה נשימה באוויר הקר.
7 seconds, 16:9, one continuous shot, no cuts. This is the SAME take as @Video1, recorded at the same moment by a second camera placed in a completely different position. Everything that happens in @Video1 happens here identically and at the identical time: the same man, the same performance, the same lip movements, the same hand gestures on the same beats, the same head bob, the same lift of the head into the light at the start and the same exhale and stare at the end. Same rooftop parking garage, same rain, same single sodium-orange ceiling lamp in the same place, same teal wet-floor reflections, same colour grade. Nothing changes except the camera. @Image1 defines only his face, curly dark hair, beard, hoop earrings, silver chain, black denim jacket over a white tank top, rings. @Audio1 is the exact soundtrack of this take: keep it identical — same rain, same voice, same beat, same timing. Camera: camera behind him, over his right shoulder, wide 24 mm lens, his back and shoulder dark in the foreground, looking past him toward the orange lamp and the open edge of the rooftop with the blue city lights, slow steady dolly forward, rain falling between the camera and his shoulder. Visual direction: moody Netflix prestige-drama cinematography, ARRI Alexa look, desaturated teal-and-amber grade, crushed blacks, soft halation on the lamp, thin haze, fine film grain, 24 fps motion blur, photoreal. Preserve identity, wardrobe, performance timing, lamp position, colour and sound. Avoid re-timing or changing the performance, different gestures, cuts, the eye-level medium framing of @Video1, extra people, cars, text, subtitles, face drift, warped hands.
03 · BEHIND · 7sמאחור, מעל הכתף. הפנס והעיר נשארים בדיוק איפה שהיו.
7 seconds, 16:9, one continuous shot, no cuts. This is the SAME take as @Video1, recorded at the same moment by a second camera placed in a completely different position. Everything that happens in @Video1 happens here identically and at the identical time: the same man, the same performance, the same lip movements, the same hand gestures on the same beats, the same head bob, the same lift of the head into the light at the start and the same exhale and stare at the end. Same rooftop parking garage, same rain, same single sodium-orange ceiling lamp in the same place, same teal wet-floor reflections, same colour grade. Nothing changes except the camera. @Image1 defines only his face, curly dark hair, beard, hoop earrings, silver chain, black denim jacket over a white tank top, rings. @Audio1 is the exact soundtrack of this take: keep it identical — same rain, same voice, same beat, same timing. Camera: aerial drone shot from about ten metres above the rooftop, looking down at a steep angle, slowly descending and orbiting a quarter turn around him; he is a small figure in the pool of orange lamplight on the huge wet concrete roof, parking lines and city lights visible around the edges, rain streaking past the lens. Visual direction: moody Netflix prestige-drama cinematography, ARRI Alexa look, desaturated teal-and-amber grade, crushed blacks, soft halation on the lamp, thin haze, fine film grain, 24 fps motion blur, photoreal. Preserve identity, wardrobe, performance timing, lamp position, colour and sound. Avoid re-timing or changing the performance, different gestures, cuts, the eye-level medium framing of @Video1, extra people, cars, text, subtitles, face drift, warped hands.
04 · DRONE · 7sמלמעלה. ארבע השניות הראשונות מחזיקות את הגובה, אחר כך הוא יורד לגובה העיניים. לכן בריל השתמשתי רק בהתחלה.
7 seconds, 16:9, one continuous shot, no cuts. This is the SAME take as @Video1, recorded at the same moment by a second camera placed in a completely different position. Everything that happens in @Video1 happens here identically and at the identical time: the same man, the same performance, the same lip movements, the same hand gestures on the same beats, the same head bob, the same lift of the head into the light at the start and the same exhale and stare at the end. Same rooftop parking garage, same rain, same single sodium-orange ceiling lamp in the same place, same teal wet-floor reflections, same colour grade. Nothing changes except the camera. @Image1 defines only his face, curly dark hair, beard, hoop earrings, silver chain, black denim jacket over a white tank top, rings. @Audio1 is the exact soundtrack of this take: keep it identical — same rain, same voice, same beat, same timing. Camera: handheld camera at his right side, a full 90-degree profile view, close medium shot at chest height about one and a half metres away, raw handheld shake and drift, the orange lamp rim-lighting the edge of his face and the rain, the city lights soft in the background behind his profile. Visual direction: moody Netflix prestige-drama cinematography, ARRI Alexa look, desaturated teal-and-amber grade, crushed blacks, soft halation on the lamp, thin haze, fine film grain, 24 fps motion blur, photoreal. Preserve identity, wardrobe, performance timing, lamp position, colour and sound. Avoid re-timing or changing the performance, different gestures, cuts, the eye-level medium framing of @Video1, extra people, cars, text, subtitles, face drift, warped hands.
05 · SIDE PROFILE · 7sפרופיל מלא מהצד, מצלמה ביד. הפנס מאיר את קצה הפנים.
4 seconds, 16:9, one continuous shot, no cuts. @Video1 defines ONLY the man, his performance, the rooftop parking garage in the rain, the single sodium-orange ceiling lamp behind him and the teal wet-floor colour. @Image1 defines ONLY his face, curly dark hair, beard, hoop earrings, silver chain and black denim jacket over a white tank top. The camera is completely NEW and must NOT match the reference framing: extreme low angle, the lens resting on the wet floor two metres in front of his sneakers, tilted up 35 degrees so his full body towers over the camera, the orange lamp flaring directly above his head, rain falling toward the lens, wet-floor reflections filling the bottom of the frame, slow steady push-in, 24 mm wide lens with slight distortion, shallow focus on his face. He raps the same hard verse straight into the lens with sharp hand gestures and a head bob on the beat. Visual direction: moody Netflix prestige-drama cinematography, ARRI Alexa look, desaturated teal-and-amber grade, crushed blacks, soft halation, thin haze, fine film grain, 24 fps motion blur, photoreal. Audio: rain on concrete, distant city hum, his voice rapping low with garage reverb, slow trap beat. Preserve identity, wardrobe, lamp position and colour. Avoid eye-level framing, cuts, camera spins, extra people, cars, text, subtitles, face drift, warped hands.
06 · LOW ANGLE · 4sזווית נמוכה מהרצפה. הזווית הזאת יצאה בריצה קודמת, עם פרומפט מלא משלה, ולכן היא ארבע שניות ולא שבע.
מה לא יצא
ניסיתי גם זווית מהרצפה ממש, עם העדשה בתוך שלולית. המודל החזיר את הפריים המקורי בגובה העיניים. ככל שהפרומפט מדגיש יותר שזה אותו טייק, המשיכה חזרה לפריים המקורי חזקה יותר. משפט המצלמה צריך לבוא ראשון, ולתאר מה הכי קרוב לעדשה.
את כל הזוויות האלה יצרתי בנובה פריים. הפרומפט הראשון כבר ממתין שם.
לפתוח בנובה פרייםהדבר הבא שאני בודק הוא כל חמש הזוויות בפרומפט אחד, כי המודל תומך עד שלושים שניות לסרטון.
